RED V-RAPTOR PRODUCTION PACK (V-LOCK)

Comes with

• 1x V-RAPTOR 8K Camera System
• 1x DSMC3™ RED® Touch 7” LCD
• 2x RED® PRO CFexpress 2TB
• 1x RED® CFexpress Card Reader
• 4x REDVOLT® MICRO-V 98Wh (V-Lock)
• 1x RED® Compact Dual V-Lock Charger
• 1x V-RAPTOR™ Tactical Top Plate w/ Battery Adapter (V-Lock)
• 1x V-RAPTOR™ Top Handle w/ Extensions
• 1x V-RAPTOR™ Expander Blade
• 1x V-RAPTOR™ Quick Release Platform Pack
• 1x DSMC3 RED® 5-Pin to Dual XLR Adapter
• 1x RED® Production Grips
• 1x V-RAPTOR™ Side Ribs
• 1x V-RAPTOR™ Production Plates

V-RAPTOR™ 8K VV is the most powerful and advanced RED® cinema camera ever. As the brand’s new flagship system and sensor, as well as the first entrant into the new DSMC3™ generation of cameras, V-RAPTOR stands alone at the forefront of digital image capture technology.
 

Featuring a groundbreaking multi-format 8K sensor- with the ability to shoot 8K large format or 6K S35, it unlocks the largest lens selection of any comparable camera on the market and allows shooters the ability to always deliver at over 4K. The sensor also boasts the highest recorded dynamic range and cleanest shadow performance of any RED camera. In addition, the V-RAPTOR sensor scan time is 2x faster than any previous RED camera and it allows users to capture up to 600 fps at 2K. V-RAPTOR will also continue to feature RED’s proprietary REDCODE RAW codec, allowing users to capture 16-bit RAW, and leverage RED’s latest IPP2 workflow and color management.
 

Along with a new flagship sensor, the V-RAPTOR features a modernized platform in an amazingly compact package weighing in at barely over 4 lbs. With 2 4K 12G-SDI outputs, XLR audio and phantom power via adapter, and 1080p livestream, this system can handle most anything a shooter can throw at it.
 

The V-RAPTOR™ Production Pack is a comprehensive and robust pre-bundled setup that is perfect for professional work and studio set ups.

SENSOR TYPE    

• V-RAPTOR™ 8K VV 35.4 Megapixel CMOS

EFFECTIVE PIXELS    

• 8192 x 4320

SENSOR SIZE    

• 40.96 mm x 21.60 mm (Diagonal: 46.31 mm)

DYNAMIC RANGE    

• 17+ stops

MOUNT TYPE    

• Integrated RF mount with RF lens support
  Supports Canon EF lenses via compatible Canon RF to EF mount adapters
  Accepts other Canon RF mount-based lens adaptors for diverse lens choices

MAX DATA RATES    

• Up to 800 MB/s using RED branded or other qualified CFexpress media cards[1]

REDCODE® RAW MAX FRAME RATES    

• 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
• 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
• 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
• 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
• 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
• 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
• 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)

BEST AVAILABLE REDCODE® SETTINGS    

• REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
• REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
• REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
• REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
• REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
• REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps

REDCODE® RAW ACQUISITION FORMATS    

• 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
• 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
• 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
• 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
• 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
• 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
• 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1

APPLE PRORES    

• Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT with resolutions up to 4K (4096 x 2160)
• Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080)

CONSTRUCTION  

•  Aluminum Alloy

WEIGHT    

• 4.03 lbs (without body cap and CFexpress card)

BATTERY TYPE    

• Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1]

DC POWER INPUT    

• 11-17V via 6-pin DC-IN

OPERATING TEMPERATURE    

• 0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE  

• –20°C to 50°C (–4°F to 122°F)

STORAGE RELATIVE HUMIDITY    

• 0% to 85% non-condensing

COLOR MANAGEMENT    

• Image Processing Pipeline 2 (IPP2)
• Supports 33×33×33 3D LUTs
• Supports import of CDLs

AUDIO    

• Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
• Integrated dual channel mic/line/+48V input via 5-pin Audio Port, uncompressed, 24-bit 48 kHz

AUTOFOCUS    

• Contrast and Phase Detect

REMOTE CONTROL    

• Wi-Fi for camera control via interchangeable dual band (2.4 GHz/5 GHz) antenna mounted to a female RP-SMA connector
• Genlock, Timecode-in, GPIO and Ctrl (RS-232) via the integrated 9-pin EXT Port
• Wired control via USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing remote camera control, live MJPEG preview video feed and remote media offload

MONITOR OUTPUTS    

• Integrated dual 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
• 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
• 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p
• 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
• 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p
• SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS    

• DSMC3™ RED® Touch 7.0” LCD
• Wireless 1080p live preview video feed via 2.4Ghz/5Ghz Wi-Fi for framing
• Integrated 2.4" LCD for camera control (no preview video)

RED CONTROL    

• Access full camera controls and live preview from iOS or Android devices
• Available from the Apple App Store and Google Play Store. RED Control works wirelessly or wired via USB-C