RED RANGER MONSTRO CAMERA PKG.

Very Good Operation & Cosmetic Condition

Great Deal!

RED's RANGER Large Format 8K camera system offering an all-in-one system for production use. All of the benefits of the MONSTRO 8K VV sensor within a less complex platform for filmmakers.

Features 

Integrated I/O's

24V power out

Shimmed PL Mount

Improved thermal performance

Hours Op. 2008

Comes With

RED Top handle

RED/TILTA adjustable rod mount Riser plate

RED Shimmed PL Mount

RED LEMO Adapter B

RED EVF Cable

RED Minimag module

RED DSMC2 7" Pro Touch Monitor (carbon fiber)

Transport Case

SENSOR TYPE

MONSTRO 35.4 Megapixel CMOS

EFFECTIVE PIXELS

8192 × 4320

SENSOR SIZE

40.96 mm x 21.60 mm (Diagonal: 46.31 mm)

DYNAMIC RANGE

17+ stops

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)

60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)

75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

PLAYBACK FRAME RATES

(PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS

RANGE FROM 2:1 UP TO 22:11

5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps

12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps

 2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps

 3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps

REDCODE RAW

ACQUISITION FORMATS2

8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRO RES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION

Aluminum Alloy

WEIGHT

7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount)

7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock)

DC IN POWER INPUT

11.5 V DC to 32 V DC

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)                                          

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)                                     

RELATIVE HUMIDITY

0% to 85% non-condensing                                        

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Integrated dual channel 5-pin XLR with preamplifiers, uncompressed, 24-bit 48 kHz                                          

REMOTE CONTROL

External R.C.P. WiFi antenna with SMA connector Ethernet,

RS232, and GPI Trigger                                  

MONITOR OUTPUTS

3G-SDI (HD-SDI) and MON-1

1080p RGB or 4:2:2, 720p RGB or 4:2:2

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio                                

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.                                 

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4                                   

VIDEO EDITING SOFTWARE COMPATIBILITY4

Adobe Premiere Pro, AVID Media Composer,

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro