New and Used Broadcast
And Digital Cinema Equipment
Broadcast and Digital Cinema Equipment Sales

New Pro Video
+1 (800) 462-8895 Serving the Moving Picture Industry Since 1992
Red Scarlet Weapon 5K Camera Pkg. Red Scarlet Weapon 5K Camera Pkg. Red Scarlet Weapon 5K Camera Pkg. Red Scarlet Weapon 5K Camera Pkg. Red Scarlet Weapon 5K Camera Pkg.
Red Scarlet Weapon 5K Camera Pkg. Red Scarlet Weapon 5K Camera Pkg. Red Scarlet Weapon 5K Camera Pkg. Red Scarlet Weapon 5K Camera Pkg. Red Scarlet Weapon 5K Camera Pkg.

Red Scarlet Weapon 5K Camera Pkg.

Red Scarlet Weapon 5K Camera Pkg.

 

Barely Used!

Only 109 Hours!

Grab Your Lens & Power You Are Ready To Shoot!

 

 

Comes with

Tilta rig with XLR outs, V-Mount & Top handle 

E-Mount Lens Adapter

4.7" LCD Monitor

Wooden Camera shoulder rig

2-Red cards 1-120GB & 1-240GB

Red Mini Mag Card reader



 

 

SCARLET-W 5K TECHNICAL SPECIFICATIONS

SPECIFICATION

DESCRIPTION

Sensor Type

RED DRAGON 13.8 MP Super 35 mm CMOS

Effective Pixels

5120 x 2700

Sensor Size

25.6 mm x 13.5 mm (Diagonal: 28.9 mm)

Dynamic Range

16.5+ stops

Signal-to-Noise Ratio

80 dB

Max Data Rates

Up to 140MB/s using RED MINI-MAG

Max Frame Rates1

50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

Playback Frame Rates
(Project Time Base)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

Best Available REDCODE Settings1

To see all of the maximum available REDCODE values, see the DSMC Media Operation Guide

REDCODE RAW
Acquisition Formats

5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

Apple ProRes

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps

Avid Codecs

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps

Construction

Aluminum Alloy

Weight

3.5 lbs (BRAIN with Integrated Media Bay)

Operating Temperature

0˚C to 40˚C (32˚F to 104˚F)

Storage Temperature

–20˚C to 50˚C (–4˚F to 122˚F)

Relative Humidity

0% to 85% non-condensing

Color Management

Supports 17x17x17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

Audio

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48KHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48KHz

Remote Control

Integrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

Monitor Outputs

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI Only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

Monitor Options

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, RED Touch 7.0" LCD, BOMB EVF (LCOS), and BOMB EVF (OLED) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO
Delivery Formats

4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, Avid AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

Video Editing Software Compatibility2

Adobe Premiere Pro, Avid Media Composer, DaVinci Resolve, Edius Pro, Final Cu