Arri Alexa Camera Package With Hi Speed Option

Owner Operator!

Not A Rental Camera!

Can be pruchased with for additional $1500.00
Anton Bauer Interactive 2000 Quad Charger

3-Anton Bauer Dionic 160 Batteries

Aprox Hours 1790

Comes With

16x9 

High Speed (HS) License

Arri EV-1 Viewfinder

Arri Viewfinder Cable (KC 150S) (1.2 feet)

Arri Viewfinder Cable (KC 151S) (2.1 feet)

Arri Viewfinder Extension Bracket (VEB-1)

Arri Extension Block (HEB-2)

2-SxS Pro 64 Gig

3-SxS Pro 32Gig

Chrosziel Bottom Dovetail Plate

Arri Shoulder Pad (Arri SP-3)

Arri Leveling Block (LB-1)

Arri BP-9 Bridge Plate

Arri Ethernet Cable (KC 153-S)

Arri (KC 154-SP-S) 12V Accessory Cable 2pin Lemo to 4pin XLR

Arri Wedge Adapter (WA-1) for Sony tripod plate.

Belken Lemo Cable (1172-A)

Neutrik Remote Audio CAXSTEX5MR Dual 3-Pin XLR-F to 5-Pin Angled XLR-M Stereo Cable (24")

Ikan Handles

15mm Rods w/ extenders

AC Power Supply

Arri Power Cable 2 x 10ft. cables (HP-CBL10-ALX)

Power supply cable

SD Card

Innerspace Arri Alexa Flight Case.

Sony SxS Card Reader (SBAC)


The ARRI ALEXA Digital Cinema camera is designed for broadcast, motion picture and commercial applications. The ALEXA is capable of 1920x1080 HD outputs. Alexa shoots 1-60fps with a base sensitivity of 800 ISO and can record in ProRes via internal hot-swap SxS cards, or output Uncompressed HD-SDI or ARRIRAW.

The original ALEXA comes with a 16:9 sensor and the original SxS Module that accepts two SxS PRO cards for recording in-camera ProRes or DNxHD. ARRIRAW recording is possible with an external recorder.

Film-like, organic look

Wide exposure latitude

• 14+ stops over the entire EI range as measured with the ARRI Dynamic Range Test Chart
• extended, clean highlights
• extremely low noise floor

High sensitivity

• base EI 800
• adjustable from EI 160 to EI 3200

ARRI color science

• natural color reproduction, especially for skin tones
• excellent color separation
• holds up very well when over or underexposed

Sharp, natural images for HD, 2K or 4K deliverables

Multiple output options

• ARRIRAW (1), ProRes, DNxHD and HD-SDI
• Log C or Rec 709 gamma
• ARRI Look Files for custom looks
• metadata embedded in all file formats and outputs

ARRIRAW (1)

• uncompressed, unencrypted raw sensor data
• greatest image quality from ALEXA
• greatest flexibility in post
• best option for future-proof archiving

Apple ProRes

• all five Apple ProRes codecs
• HD or 2K (1)
• pre-recording (1)
• native Final Cut Pro support

DNxHD

• MXF wrapped files (SMPTE standard compliant)
• DNxHD 145, DNxHD 220x and DNxHD 444 codecs (1)
• native Avid Media Composer support