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 RED RANGER MONSTRO CAMERA PKG.  RED RANGER MONSTRO CAMERA PKG.  RED RANGER MONSTRO CAMERA PKG.  RED RANGER MONSTRO CAMERA PKG.  RED RANGER MONSTRO CAMERA PKG.
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 RED RANGER MONSTRO CAMERA PKG.  RED RANGER MONSTRO CAMERA PKG.  RED RANGER MONSTRO CAMERA PKG.  RED RANGER MONSTRO CAMERA PKG.  RED RANGER MONSTRO CAMERA PKG.

RED RANGER MONSTRO CAMERA PKG.

 RED RANGER MONSTRO CAMERA PKG.

Very Good Operation & Cosmetic Condition

Great Deal!


RED's RANGER Large Format 8K camera system offering an all-in-one system for production use. All of the benefits of the MONSTRO 8K VV sensor within a less complex platform for filmmakers.

Features 

Integrated I/O's

24V power out

Shimmed PL Mount

Improved thermal performance

Hours Op. 2008

Comes With

RED Top handle

RED/TILTA adjustable rod mount Riser plate

RED Shimmed PL Mount

RED LEMO Adapter B

RED EVF Cable

RED Minimag module

RED DSMC2 7" Pro Touch Monitor (carbon fiber)

Transport Case

 

SENSOR TYPE

MONSTRO 35.4 Megapixel CMOS

EFFECTIVE PIXELS

8192 × 4320

SENSOR SIZE

40.96 mm x 21.60 mm (Diagonal: 46.31 mm)

DYNAMIC RANGE

17+ stops

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)

60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)

75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

PLAYBACK FRAME RATES

(PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS

RANGE FROM 2:1 UP TO 22:11

5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps

12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps

 2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps

 3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps

REDCODE RAW

ACQUISITION FORMATS2

8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRO RES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION

Aluminum Alloy

WEIGHT

7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount)

7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock)

DC IN POWER INPUT

11.5 V DC to 32 V DC

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)                                          

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)                                     

RELATIVE HUMIDITY

0% to 85% non-condensing                                        

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Integrated dual channel 5-pin XLR with preamplifiers, uncompressed, 24-bit 48 kHz                                          

REMOTE CONTROL

External R.C.P. WiFi antenna with SMA connector Ethernet,

RS232, and GPI Trigger                                  

MONITOR OUTPUTS

3G-SDI (HD-SDI) and MON-1

1080p RGB or 4:2:2, 720p RGB or 4:2:2

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio                                

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.                                 

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4                                   

VIDEO EDITING SOFTWARE COMPATIBILITY4

Adobe Premiere Pro, AVID Media Composer,

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro