|
Price: $195,000.00
Autodesk Flame Linux System
This system is aprox.1 years old and barely used.
System Consists of the Following
Autodesk Flame 2007 software, With the 2008 software included.
Linux workstation
23" Monitor
8 GB Memory
Lucid
Video
DVI ramp
Cleaner
Video I/O
4 port GigE
Cabling
Nvidia 5500
Stone FS 2.0 and Wire
1-TP.FC-44ES-KIT ATTO 4 port Host Bus Adapter
1-ME.A4R1.7-146-123 Autodesk Stone Direct XR
4GBbFibre Channel Hardware RAID Protected Storage
Chassis, 1.752TB raw,13xI46GB@15K SAS,1 cold spare
1-TP-TAB-W-USB 6"Xll" Tablet w/USB
2-TP.HP8MEM-DDR2-2G 2GB additional memory
1- HP.RACK HP Rackmount Kit
Detailed Features
Autodesk® Flame® software—the most sought-after online visual effects system in the post-production industry—offers Academy Award®–winning† compositing tools on blazingly fast dual-core Linux® workstations.
From national television commercials and music videos to blockbuster films, 64-bit Flame software gives artists the interactivity and flexibility they require to tackle any task with success—no matter how demanding the client or complex the project.
Action
Intuitive and interactive 3D visual effects design environment. Ideal for in-context, creative decision-making and brainstorming.
Updated UI enhances workflow. Object node bin and Object menu make it easier to add and control elements in the scene—NEW
Supports unlimited layers at any image resolution or aspect ratio. Layer effects can be quickly copied from one layer to another.
Animate layers and 3D models in true 3D space.
3D particle systems for realistic effects ranging from rain and snow to smoke and explosions.
3D deformation, meshes, displacement mapping, and extended bicubics for full control and manipulation of 2D surfaces and 3D models.
Duplicate animations instantly by applying settings to other objects—NEW
Multiple cameras with true-to-life, user-definable lens and camera properties such as depth-of-field. Animate and switch between camera views. Each layer can have independent camera placement and animation for sophisticated effects.
Multiple animatable light sources.
Integrated 2D and 3D tracking and stabilization.
Texture mapping with material property and shading controls. Map or project textures onto objects.
Integrated 3D character generator for advanced text creation.
Import Adobe® Photoshop® PSD files directly into Action while maintaining layers, blend modes, and transparency.
Keying and Rotoscoping
Master Keyer—advanced keying technology. Intuitively refine the key by gesturally modifying the matte. Automatic color spill removal and edge blending. Advanced grain removal, specifically tuned to greenscreen or bluescreen.
Keyer—fast, accurate RGB, YUV, HLS, RGBCMYL, and custom keying; linear and user-definable keying capabilities with full luminance remapping, softness, shrink, and erode; advanced spill suppression and edge color replacement capabilities.
Modular Keyer—customizable pipeline for advanced keying capability and control over the final result.
GMasks quickly remove or extract elements from live footage with advanced three-spline vector technology. Customize softness at each point on the spline. Motion blur may be applied selectively to multiple shapes.
Tracer—the accurate edge-keying tool. Based on GMasks, it is ideal for keying hair, fur, and other finely detailed object boundaries that aren’t necessarily shot on greenscreen or bluescreen.
Paint
High quality, integrated paint system for advanced motion graphics, digital matte painting, rotoscoping, wire removal, image retouching, and more.
Fully customizable, user-definable brushes.
Record and animate brush strokes. Create and animate color gradients, vector shapes, and cutouts.
Load mattes to protect areas of the clip during painting.
Tracking and Stabilization
Precise motion analysis for 2D tracking of position, scale, and rotation—track up to 1,000 points in a single pass.
Advanced tracking features include fully editable tracking data, reverse tracking, keyframe locking, field-based analysis, and curve smoothing functions.
3D tracking extracts original, real-world camera information from a 2D clip.
Tracked data can be automatically applied to image layers, GMask shapes, Warper meshes, Distort splines, and Paint brush strokes.
Color Correction
Colour Warper™ software functionality performs primary and selective color correction allowing for precise fine-tuning with multiple levels of adjustment in a single pass.
Interactive adjustment of gamma, gain, offset, hue, saturation, and contrast. Apply animatable settings to all channels or independently to R, G, and B.
Intuitive hue shift and tint color wheel for fast, accurate color balancing. Visual color sampling palette for precise color matching
Interactive Histogram and Curves editing modes for subtle, precision tweaking of color components.
Independent controls for color correcting the image’s shadow, midtone, and highlight regions—features user-definable luminance ranges.
“Match” feature for fast scene-to-scene color correction.
“Selective” feature for sampling up to three different color regions for isolated correction.
UI features include three pressure-sensitive trackballs, a high-quality RGB vector scope, and a 3D histogram for precise color monitoring.
2D and 3D Text
Create title rolls, crawls, slates, text animations, text along a path, text effects, and more.
Support for Adobe® Type 1 PostScript®, Microsoft® OpenType®, and Apple® TrueType® fonts, Asian (CID) fonts, ASCII text file import, and extended Unicode font sets.
Full formatting and layout capabilities, spell checking, custom dictionaries.
Easy generation of matte layer.
3D text creation and animation in Action module.
Warping and Morphing
Choice of mesh- or spline-based tools for intuitive, interactive warping and morphing.
Distort workflow enhanced for improved control of desired result. Multiple splines can be animated independently.
Warp and morph stationary or moving elements. Animate splines, mesh points, and axes with tracking data to automatically fit motion, scale, and rotation.
Image Processing: Plug-ins, Filters, and Optics
Filters including sharpen, soften, emboss, and glow, as well as user-customizable convolution filter matrices.
Pixel math operators and blend modes for limitless compositing effects.
Motion analysis tool produces forward and reverse motion vectors. Motion Blur provides motion-estimated timewarps and motion blurs. Selectively set object blur based on relative motion—NEW
Infrastructure
Autodesk® Stone® Direct software—high-speed fiber channel storage solutions for real-time access to high-resolution media.
Autodesk® Stone® FS software—advanced file system guarantees performance and reduces fragmentation risks.
RAID 5 protection from data loss of audio and video media, and nonobstructive background healing.
Supports Autodesk® Backdraft® Conform software— an assistant utility for project and media management, I/O, conform and editing.
Autodesk® Wire® networking for visual browsing and high-speed transfer of clips. Support for InfiniBand networking protocol delivers faster-than-realtime transfer of clips up to 2K 10-bit resolution.
Supports standard file systems. Multiple Autodesk systems can connect to and share the same storage, such as a SAN or NAS, resulting in significantly faster media access and reduced media duplication. (Linux only)
Motion Estimation Timewarp
High-quality timewarp for speeding up or slowing down frame rate of a clip.
Minimizes the telltale ghosting, softening, and stepping artifacts typical of traditional frame-averaging timewarps.
Powerful optical flow algorithms track changes in image pixels from frame-to-frame and interpolate movement for crisp, clean rendering of extreme slow motion.
Speed curves facilitate setup and animation of speed changes.
Batch
Advanced flowchart representation of the compositing workflow and clip history to display all operations performed on a clip, allowing for easy editing of complex visual effects.
Monitor downstream results with in-context viewers. Show the result at selected nodes while modifying others.
Custom node bins save effects that you create so you can reapply them at will.
Node grouping with user-definable group display settings. Cleanly organizes the schematic display while permitting rapid switching between node menus.
Segment FX permits uncommitted visual effects to be dropped into any edited timeline segment.
Proxy processing allows for fast interaction even when working at the highest resolutions.
Intelligent caching and bypassing functions allow automatic or user-defined prerendering of parts of the composite, increasing interactivity.
Scripting power — Scripts can be used to automate tasks ranging from email notification of render completion to archiving files.
Batch Log and Queue Management handle workflow by setting up and prioritizing multiple-render jobs at once and monitoring progress on a web browser.
Unified channel editor allows animation curves for different effects to be displayed and modified simultaneously in Batch.
Digital notepads can be used to annotate nodes and provide reminders and instructions for further work.
Animation: Channel Editor
Easily create and manipulate animations in the ubiquitous Channel Editor.
Animation capabilities include auto-keyframing, motion paths, expressions, and fully editable spline curves with choice of interpolation and extrapolation modes.
Convert expression and extrapolated curves into keyframed curves for additional manual control.
Track Editor lets you view and slide individual keyframes on a track with multiple tracks or keyframes selected.
Automatic and user-defined filters organize channel display for improved usability in large, complex setups.
Expressions
Create accurate animations based on user-programmed parameters.
Full library of functions including mathematical, logical, and conditional operators, vectors, and constants.
Parameters can be linked so that an object’s rotation varies as a function of its distance from a light source—as you animate the object’s position, its rotation is calculated automatically.
Desktop Editing
Gestural, picture-based editing interface for easy viewing and intuitive clip manipulation. Cut, splice, trim, and play clips with fast, simple strokes.
Prepare, preview, and compare clips in any resolution and format.
Transition effects and timewarp tools with fully animatable speed curves, as well as adjustable interframe mixing and trailing.
Advanced Media Player
Player maximizes image display and minimizes interface clutter for ideal viewing conditions when playing clips.
Provides letterbox masking and safe title overlays for precise viewing of intended result.
Real-time playback of 8- and 10-bit 4:4:4 PAL, NTSC, HDTV, and 2K (2048x1556) resolutions at all standard frame rates.
Simultaneous display of SD and HDTV video to a broadcast monitor (platform specific).
Real-time 3:2 insertion and removal, as well as the ability to mark in/out points and set cue marks for improved interactivity and faster editing and A-frame timecode setting.
Monitor Calibration and Film Tools
3D color look-up tables work with your calibrated display to accurately display a clip as it will appear on its final medium. Enables consistency and precision between different products including Autodesk® Lustre® software color grading system.
Choose to temporarily view a clip with a 3D LUT or apply the 3D LUT process, allowing for real-time clip playback.
Provides tools to match images displayed digitally on a computer monitor to the look of projected film.
Supports X-Rite and Barco CaliTalk calibration devices for accurate color measurement.
Import standard color LUTs or create your own using the intuitive tools provided.
Grain management tools accurately match the grain of different film stocks and provide homogenous grain across disparate elements used in the composite (CGI, scans from different film types, and so forth).
Audio Tools
Full audio editing functions including cut, slip, timestretch, and pitch correction control.
Audio mixing capabilities with control of audio levels, pans, and EQ.
Vari-speed audio scrubbing allows for precise work.
Display audio waveform for syncing effects to sound.
VST Audio plug-in support (reverb, modulation, dynamic compression, full parametric EQ).*
Input/Output (I/O
Send encoding tasks directly to Autodesk® Cleaner® XL software for expanded Export Media format support.
VTR control capabilities via RS-422 support for real-time frame-accurate control of video devices.
Serial digital interface for both ITU-R 601 standard (PAL/NTSC), and SMPTE 292M high definition video.
Digital audio connections: 1 ADAT input, 1 ADAT output.
HSDL I/O via SMTPE-292 HD-SDI signal for rapid 14-19 fps transfer of progressive 2K files (platform specific).
Analog and AES/EBU I/O audio connectivity for up to two tracks (converter included if needed).
Analog video requires a separate conversion device.
Support for VariCam footage with automatic frame rate conversion.
File-based I/O for most popular graphics formats including TIFF, PICT, TARGA, JPEG, Cineon, DPX, SGI®, Softimage®, and Autodesk® 3ds Max® and Autodesk Maya® software.
Import Adobe® Photoshop® PSD files with options to maintain layer structure or flatten image.
Conforming and Archiving
Import/export standard EDL formats with cuts, dissolves, freeze-frames, vari-speed, reverses, split edits, and comments.
Advanced conform tools for EDL, AAF, OMF (with audio media), and Apple® Final Cut Pro® XML files.
Multilayer, multitrack, or container assembly from multiple EDLs—NEW
EDL Editor for tweaking and revising EDLs. Sort EDLs for fast capture (A-, B-, C-, and S-mode and more).
Convert EDL frame rates.
Media unlinking and relinking—NEW
Keycode support to conform using scanned film frames.
Multi-Master Editing™—create multiple formats from a single master, including archiving to 720p tape.
Full project archiving for backup of selected clips, libraries, or the entire project in a single operation. Setups can be archived together with the media.
Archives may be stored as files (on networked drives or external USB or FireWire drives), on data tapes (LTO, DLT, DTF, and others), or (multi) videotape (SD and HDTV VTR).
Creates HTML/ XML table of contents for fast browsing and retrieval. Selective restore from archives.
Interoperability
Interoperates smoothly with Autodesk® Combustion®, Autodesk® Flint®, Autodesk® Inferno®, Autodesk® Fire®, Autodesk® Lustre®, and Autodesk Smoke software effects, editing, and finishing software; and provides extensive support for Autodesk 3ds Max, Autodesk Maya, and other 3D applications.
Soft-import image and audio files on shared storage without making a local copy, and then publish the results back to the open file system.
Open file system applications that support Autodesk® Wiretap™ (such as Lustre and Combustion) can read and write Autodesk Stone FS clips directly from Autodesk Stone Direct storage.
Workflow & Productivity
Support for Autodesk® Burn® background rendering solution in batch and desktop modules, and in the batch timeline—NEW
Integrated Autodesk® Backburner™ software for monitoring of Burn background renders.
Project-based dual-view Clip Library provides media organization and sharing between separate Autodesk systems.
Clip History automatically saves setups of rendered clips, providing a non-destructive way to access intermediate results and to make changes at any time.
Extended search filters (search range of timecode, name, comment, and more).
Extensive hotkeys enable instant operation of commands and menu selections. Comprehensive hotkey editor enables flexible user customization.
Autodesk Flame Linux System
Barely Used aprox. 1 years old
|
|
Home |
Contact Us |
Legal Notice |
Privacy Policy
|
|
